So I'm currently working way too few hours at my job, which means I'm trying to find other ways to make money. Got a bunch of watch & clock movements from Dad, so I'm playing with the idea of making steampunk jewelry. Working on a necklace now, which looks okay on my desk, but look like crap on, so more work to do there.
But here's a weird bit. I decided to look on Etsy to see who else is doing the kinds of things I want to do. And most people are not. They are either gluing random gears to stuff to make it "steampunk," or they are taking to heart the idea that gears have to serve a function, in which case they are soldering entire watch movements to random pieces of jewelry.
Which is really no more steampunk than gluing random gears, since the watch movements are all backwards and not serving any purpose other than to give a mechanical flavor. Meanwhile, I'm working on stuff that uses scavenged parts and gears as design elements, not functional machinery. But the entire thing is supposed to be a harmonious whole. Gluing random metal gears to a cloth books cover is silly; using a metal gear as a design element in a piece of metal jewelry is not (to my mind).
But here's the crazy part: I do find one (1) person on Etsy who is doing almost exactly what I envision myself doing as I develop my skills. And she's in Tulsa.
Meanwhile, I tried to learn how to do a pulp-style painting to make a new cover for a paperback edition of Death Wave, but after three failed attempts, I'm about to give up and try a new approach. And I also have to edit the manuscript and format it for print, which will be a bit of work.
Last night, we gamed and it was a hell of a lot of fun as my character tried to talk another character into bed and finally gave a speech I've been holding in reserve for over a month. It went okay, but then last night, I had a dream (which is weird, because I very rarely remember my dreams anymore).
It was like watching a cop show or movie or something, only I'm simultaneously in it and watching it. And as I'm locked in a cop car (maybe arrested for something I didn't do), the serial killer (played by a really creepy John Lithgow) appears and start head-butting the car window, cracking it. At which point efamar, trapped outside the car with the killer, says something like, "the killer's skin is really soft!," which provokes this terrified "ew!" from the audience, because he's like Hannibal Lecter: refined and probably moisturized and manicured and smelling really civilized, and yet absolutely fucking bestial, his lips bleeding where's he's chewing on them in his frenzy to kill anyone who gets in his way. And that's all I remember.
Wednesday, February 22, 2012
Wednesday, February 01, 2012
The Daily Grind
Wow, hard to believe that it's been almost a month and a half since I posted here. Just goes to show how much mental effort goes into the daily postings over at Hero Go Home.
The daily Run, Digger, Run! serial experiment is not going as well as hoped. I have a couple of daily readers, but there has been no build. What's more, it's a lot more work than I anticipated.
Because it's a lot more than just writing 500 words a day. I have to write the daily episode (and because I set myself the challenge of making each episode 500 words, no more and no less, I have to massage the episode until the length is right). Then I post it, write intros and outros and add the social icons and Twitter feed. Then I add the image header, which changes every day (and manually change the size in HTML); I make up the set once a week, using Inkscape and GIMP. And now I'm having to remember to pull out a small quote for emphasis, as well.
Then I have to open up the previous entry to pull the first episode link to paste in the current episode. After I publish the episode, I copy the link address and put in a "continue to next episode" link in the previous entry. And after all that, I have to change the slideshow on the main page. It's a long process for what ends up being a couple minutes' worth of reading for two people.
But I press on. And I'm trying to come up with more ways to make money. I'm putting together a new, better (I hope) cover for Death Wave to put on the paperback edition (with perhaps a special bonus story for added value). And I have some other projects in the works as well, but with all the work I've committed to on Run, Digger, Run!, everything else is moving very slowly.
The daily Run, Digger, Run! serial experiment is not going as well as hoped. I have a couple of daily readers, but there has been no build. What's more, it's a lot more work than I anticipated.
Because it's a lot more than just writing 500 words a day. I have to write the daily episode (and because I set myself the challenge of making each episode 500 words, no more and no less, I have to massage the episode until the length is right). Then I post it, write intros and outros and add the social icons and Twitter feed. Then I add the image header, which changes every day (and manually change the size in HTML); I make up the set once a week, using Inkscape and GIMP. And now I'm having to remember to pull out a small quote for emphasis, as well.
Then I have to open up the previous entry to pull the first episode link to paste in the current episode. After I publish the episode, I copy the link address and put in a "continue to next episode" link in the previous entry. And after all that, I have to change the slideshow on the main page. It's a long process for what ends up being a couple minutes' worth of reading for two people.
But I press on. And I'm trying to come up with more ways to make money. I'm putting together a new, better (I hope) cover for Death Wave to put on the paperback edition (with perhaps a special bonus story for added value). And I have some other projects in the works as well, but with all the work I've committed to on Run, Digger, Run!, everything else is moving very slowly.
Friday, December 16, 2011
Two Legends Pass
Within the last couple of weeks, we've lost two legends of the comics world, co-creators of iconic figures who were largely overshadowed in the public eye by their more famous collaborators.
Jerry Robinson, an artist on the early Batman comics, co-created both the Joker and Robin, the Boy Wonder. But he was virtually unknown outside of fan circles, since Bob Kane's contract with DC said that only his name could appear on Batman stories, a policy that went unchanged until the 60's, IIRC. He died on Dec. 7.
One week later, on December 14, Joe Simon also died. Joe was better known as the co-creator, with Jack Kirby, of Captain America. He and Kirby also invented the Romance Comic genre. And in later years, as Kirby was returning to DC Comics to work on his Fourth World books, Simon was writing books like Prez and Brother Power, the Geek. It was Kirby who sucked up all the press and accolades in later years, and justly so, given Kirby's role in creating the Marvel Universe, but Simon should never be forgotten. The men were a team for decades.
Wednesday, December 07, 2011
Maybe Not
Well, turns out the proofing process on Createspace takes a while to complete, so Hero Go Home might not be ready in time for Christmas. My proof copy is due to arrive around Dec. 12, and then I'll probably have to make some fixes which will delay the process further. On the other hand, I'll probably end up with a horribly ugly one-of-a-kind proof copy that I can use as the prize in a contest or something someday.
Labels:
Hero Go Home
Friday, December 02, 2011
Just in Time for Christmas (I Hope)
Although it's still under review, I thought I'd let you know now that, very soon, you can own an actual physical printed version of Hero Go Home. I will post the link where you can purchase it as soon as it is available. I plan to follow up soon with print versions of Digger Breaks Through and Death Wave, although perhaps not in time for Christmas.
I've also been noodling new T-shirt ideas that may be available very soon. And there may be a major surprise announced in the very near future, if I decide that I can actually pull it off.
The point is, I need to get more serious about making money off of Hero Go Home, and the best way to do that, as far as I can tell, is to have stuff available to make money off of. I have some ideas to bring in traffic, but I don't want to spend money on them until I have some options for making some of that money back, and three e-books isn't going to cut it.
Oh, and if you're not reading Run, Digger, Run!, you should give it a try. We're eight weeks into the story now, and things are starting to heat up. I'm barely hanging on by my fingernails, getting the daily episodes posted (and today's episode, frankly, was a little rushed--I am committed to the 500-word limit, but today's episode needed about a hundred more words or so before the big cliffhang), but the characters are firming up and the momentum is starting to build. Give it a try, and I hope you like it.
So tonight, to (prematurely) celebrate breaking Hero Go Home into print, I'm drinking some cheap champagne. Also because tomorrow morning, I have to go to divorce class, which is the final step before my divorce is final. I keep hoping that I'll feel relieved once it's over, but right now, it still sucks.
I've also been noodling new T-shirt ideas that may be available very soon. And there may be a major surprise announced in the very near future, if I decide that I can actually pull it off.
The point is, I need to get more serious about making money off of Hero Go Home, and the best way to do that, as far as I can tell, is to have stuff available to make money off of. I have some ideas to bring in traffic, but I don't want to spend money on them until I have some options for making some of that money back, and three e-books isn't going to cut it.
Oh, and if you're not reading Run, Digger, Run!, you should give it a try. We're eight weeks into the story now, and things are starting to heat up. I'm barely hanging on by my fingernails, getting the daily episodes posted (and today's episode, frankly, was a little rushed--I am committed to the 500-word limit, but today's episode needed about a hundred more words or so before the big cliffhang), but the characters are firming up and the momentum is starting to build. Give it a try, and I hope you like it.
So tonight, to (prematurely) celebrate breaking Hero Go Home into print, I'm drinking some cheap champagne. Also because tomorrow morning, I have to go to divorce class, which is the final step before my divorce is final. I keep hoping that I'll feel relieved once it's over, but right now, it still sucks.
Labels:
Hero Go Home
Saturday, November 19, 2011
Disintegration
We all have ups and downs. Riding through a down period right now. Not depressed like I was the last couple of years, just stuff collapsing around me. Had to buy some new tires, because the rubber was worn down to the radial belts. Power supply went down in my computer, which was a pain, but was remarkably easy to repair (literally the only hardware work I think I've ever done on a computer which did not require opening the case multiple times to troubleshoot the fix plus hours of cursing--even just adding a memory card always seems to go wrong at least once). I've had an upper molar slowly disintegrating for the last four years which lost another chunk last night. There's a class I need to take to finalize my divorce that I still need to schedule (yes, after 17 years of marriage and three-plus years of separation, the State of Oklahoma requires me to pay for a class in order to be divorced).
And then there's the royal screw job Target is giving its employees by moving its Black Friday sale up to midnight. I can't really blame Target; they're giving the customers what they want. I blame all those greedy douchebags who will be lining up on Thanksgiving for hours so they can buy cheap toasters. Part of me hopes that people won't show up so this doesn't get even worse next year, but the part of me that eats and has a mortgage must hope the sale is a big success so I will get plenty of hours.
I hate the holidays. I've been indifferent to Christmas for years and generally enjoyed Thanksgiving, but working in retail, I'm already sick of Christmas and hate Thanksgiving as well.
And then there's the royal screw job Target is giving its employees by moving its Black Friday sale up to midnight. I can't really blame Target; they're giving the customers what they want. I blame all those greedy douchebags who will be lining up on Thanksgiving for hours so they can buy cheap toasters. Part of me hopes that people won't show up so this doesn't get even worse next year, but the part of me that eats and has a mortgage must hope the sale is a big success so I will get plenty of hours.
I hate the holidays. I've been indifferent to Christmas for years and generally enjoyed Thanksgiving, but working in retail, I'm already sick of Christmas and hate Thanksgiving as well.
Wednesday, November 09, 2011
Riding the Wave
So the other night, we're doing our weekly role-playing game, and efamar gets this text alert. Everyone sort of pauses, because this never happens. So she checks her phone and announces, "Tornado warning. Huh." Which prompts a very brief discussion of tornado warnings. Brief because suddenly everyone stops talking, and their eyes go wide.
"Did you feel that?"
And before I could say, "No, I didn't feel anything," because apparently I was the only one who didn't (my feet weren't touching the floor at the time, but resting on the chair legs), the ground started to rumble and the house shook.
It didn't last long, maybe 30 seconds of real shaking, plus another minute or so for the last rumbles to die down. But everyone was really freaked out, except me. And I want to say it's because I've lived in California and earthquakes just don't faze me, except that I never felt a really major one even in California.
No, mainly I was just giddy with delight at what had happened in the game. Let's rewind a bit. A couple of weeks ago, my character found a little girl, the only survivor of a wrecked airship. And it was apparent that this girl was in some trouble, because she was being pursued by some real badasses. I wanted to take her back to her father's house, but there was some doubt as to whether or not he was in on it, and even if he wasn't, there was some doubt (mainly from efamar's character) that he was a fit father, given that he had sent her off to be wed at age 10.
But we decided we needed to meet with the father and probe to see if we could learn more about the situation so we could make a more informed decision. And as I have mentioned before, my character has alternate personalities. And as a matter of fact, one of them was feeding my main the lines he should be saying (there was a deal between them involving letting him out later to spend time with efamar's character--that bit didn't work out so well for him). The story was mostly true with one major bit of bluff in it, but the mark decided to call the bluff and start threatening the characters' lives (along with insulting the cover story).
And so I make with a few twitches and an inappropriate smile, and this wave of "Oh shit" flutters around the table. Because although my performance was no Ed-Norton-in-Primal-Fear star turn, it was enough to let them know there'd been a switch, and everybody was sort of panicked, wondering what the new arrival would do.
And of course, what the new arrival did was defuse the situation without bloodshed, because that's what he's good at. But the point is, by the time the ground started shaking, I was already riding a wave of giddiness.
Because there's a real sense of power in that "Oh shit" reaction. I'm not the kind of guy who generates that kind of reaction in everyday life, but at that table, one inappropriate smile and suddenly, everyone thinks I'm Bruce Banner and my eyes have just turned green.
It was also gratifying that at least one person at the table knew immediately which personality had emerged. I had tried to differentiate them. Seems it worked.
And now it seems as if we're stepping out into the larger campaign. Baby steps are done, small tremors have been noted, but now the shaking really starts.
"Did you feel that?"
And before I could say, "No, I didn't feel anything," because apparently I was the only one who didn't (my feet weren't touching the floor at the time, but resting on the chair legs), the ground started to rumble and the house shook.
It didn't last long, maybe 30 seconds of real shaking, plus another minute or so for the last rumbles to die down. But everyone was really freaked out, except me. And I want to say it's because I've lived in California and earthquakes just don't faze me, except that I never felt a really major one even in California.
No, mainly I was just giddy with delight at what had happened in the game. Let's rewind a bit. A couple of weeks ago, my character found a little girl, the only survivor of a wrecked airship. And it was apparent that this girl was in some trouble, because she was being pursued by some real badasses. I wanted to take her back to her father's house, but there was some doubt as to whether or not he was in on it, and even if he wasn't, there was some doubt (mainly from efamar's character) that he was a fit father, given that he had sent her off to be wed at age 10.
But we decided we needed to meet with the father and probe to see if we could learn more about the situation so we could make a more informed decision. And as I have mentioned before, my character has alternate personalities. And as a matter of fact, one of them was feeding my main the lines he should be saying (there was a deal between them involving letting him out later to spend time with efamar's character--that bit didn't work out so well for him). The story was mostly true with one major bit of bluff in it, but the mark decided to call the bluff and start threatening the characters' lives (along with insulting the cover story).
And so I make with a few twitches and an inappropriate smile, and this wave of "Oh shit" flutters around the table. Because although my performance was no Ed-Norton-in-Primal-Fear star turn, it was enough to let them know there'd been a switch, and everybody was sort of panicked, wondering what the new arrival would do.
And of course, what the new arrival did was defuse the situation without bloodshed, because that's what he's good at. But the point is, by the time the ground started shaking, I was already riding a wave of giddiness.
Because there's a real sense of power in that "Oh shit" reaction. I'm not the kind of guy who generates that kind of reaction in everyday life, but at that table, one inappropriate smile and suddenly, everyone thinks I'm Bruce Banner and my eyes have just turned green.
It was also gratifying that at least one person at the table knew immediately which personality had emerged. I had tried to differentiate them. Seems it worked.
And now it seems as if we're stepping out into the larger campaign. Baby steps are done, small tremors have been noted, but now the shaking really starts.
Labels:
Ethrus,
role-playing games
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