Distractions

It has been a unique feeling for me, in the days since I finished the first draft, for me to have no interest in the manuscript whatsoever. The books I've finished before, I was on such a high after finishing that I couldn't wait to go back and start reading from the beginning, experience the whole thing in one big panorama.

I haven't done that this time. I actually started divorcing myself from the manuscript even before I finished it. After 32 or 33 days, I was sick of pushing myself, especially at the end when I could feel the failure pressing in on me. So I did the GIMP-shop that serves as my new profile photo. Then I made myself finish the manuscript, and instead of rereading it from the beginning as I formerly have, I didn't even think about it.

Instead, I started up another GIMP project. It was originally supposed to be a quick and dirty test of a concept for photoshopping a picture of a person into a superhero (and yes, I just used "photoshop" as a generic verb--if Adobe wants to sue me, they are welcome to learn just how broke I am). No, the character is not anyone you would have heard of. I just made her up as I went along, obviously ripping off the outfit from Mr. Incredible/the Flash, and going on from there.


As you can see, it eventually grew into something bigger, and is now the wallpaper on my desktop (this is a scaled-down version for web display).It's not perfect, but it's better than I expected it to turn out. If I were trying to sell this (I can't, because I have no rights to the model image I used), I'd spend a lot more time on details like making the boots and belt and bracers more realistic and improving the graphics spelling out Neutrina's name down the side.

On the other hand, the logo symbol I tossed off for the character looks pretty good, and the background, which was assembled as an afterthought, isn't horrible either. I learned some valuable lessons putting this together, and added some techniques to my toolbox, like layer modes. If I had the patience and inclination to do this all the time, I almost start to think I could make a living at it. Of course, you could say the same thing about writing, probably. Alas, I don't have the patience or inclination to become good enough at any one thing to make a living at it.

That would appear to be my doom.

Frank Lovejoy

A palate cleanser to try to restore some equilibrium. Three classic radio shows starring Frank Lovejoy.

For the last few days, I've been listening to a melodramatic mystery show named Night Beat. Night Beat is an early 50's series about a Chicago reporter named Randy (sometimes "Lucky") Stone. Every episode starts pretty much the same way: Stone is wandering around late at night, wondering what he's going to write about, when he runs into a random stranger and gets pulled into a mystery. After he solves it, he gives a final monologue wrapping things up (a la Kolchak, the Night Stalker), then calls for a copyboy. The shows are pretty good, but try too hard to be sophisticated adult drama and often veer into melodrama instead. Here's a sample episode from 1950, titled "Mentallo, the Mental Marvel."



But what really captured my attention right away was the show's opening, in which the announcer says the star of the show is Frank Lovejoy. The name sounded familiar. I realized that he had starred in one of the shows I listened to when I was searching for good Halloween shows to post a couple of weeks ago. It was an episode of Escape titled "The Outer Limit." Escape was another high-budget show, like Suspense, that featured big-name stars and adapted short stories to radio, like "Leiningen vs. the Ants" and "The Man Who Would Be King." "The Outer Limit" is a hokey science-fiction story about a test pilot who encounters something uncanny during a high-altitude flight. The story is by-the-numbers, but at the end of the show, they emphasize that they worked with test pilots and aviation companies to confirm the details of real test flights.



So I started to wonder who Frank Lovejoy was. I didn't recognize his name, but the fact that he got top billing on Escape made me think he must have been some sort of celebrity of the day. I looked him up on Wikipedia and learned that he was a radio and movie actor. He'd appeared on Gang Busters in the 30's and starred in Night Beat in the 50's. And in between, he'd played The Blue Beetle.

I'd read the adventures of the modern Blue Beetle, Ted Kord, in the pages of Justice League in the 80's. But I was unfamiliar with the original Blue Beetle, aka Dan Garrett, rookie cop by day, avenging superhero by night, dressed in special chainmail that's "flexible as silk, but stronger than steel."

The only thing I knew about the original Blue Beetle was what I'd read in Jules Feiffer's introduction to The Great Comic Book Heroes.

His sign--the shadow of a great beetle projected into the evildoer's line of vision--struck terror into their hearts. He wore a Phantom-type uniform, with scales--rather unpleasant looking without being impressive. He was a great favorite for a far longer time than he deserved.

On radio, he battles spies and dope dealers and low-level thugs of all types, aided by kindly old pharmacist Dr. Franz. Franz is the Beetle's own personal Q, who invents all manner of super-potions and techno-weapons in his back room to help the Blue Beetle in his crusade. The production values are cheap--thin sound effects and a lone organ for music--and the stories are thrill-a-minute idiot plots (a plot that can only work if everyone in the story behaves like a idiot--criminals are always leaving behind the most obvious clues that lead the Beetle straight to their doors). Even the Beetle's catch phrases are awful: "The Blue Beetle has some nipping to do tonight!" Here's a typical episode, "Murder for Profit."

Soon I Will Be Invincible

I had planned to scan something funny I brought back from Worldcon, but I haven't got my scanner set up yet, so I guess I'll do a book review first. Soon I Will Be Invincible came out in hardback last year, the debut novel from Austin Grossman. As you may tell from the title, it's a light-hearted look at superheroes, a mainstream novel that looks at some of the basic cliches of the genre and turns them on their heads, makes them fun again.

I was worried that this would turn out to be yet another parody by a writer who looks down on the genre, like Asimov's anti-Batman Batman story "Northwestward" in the anthology "Further Adventures of the Batman," or like Jonathan Lethem's Fortress of Solitude. As the authors take apart the silliest tropes of the genre, you get the sense that they're talking down to you: "You're stupid for liking this stuff, but I'll take your money anyway."

Grossman doesn't do that. He's smart enough to see how silly the genre can be, but he loves it anyway, and he lets that love shine through throughout the book. The book is written in first person, from the alternating viewpoints of two main characters, the megalovillain Doctor Impossible and the cyborg superhero Fatale. Evil genius Doctor Impossible escapes from prison and immediately launches into a new plot to take over the world; with his greatest nemesis, the superhero Corefire, missing, he actually has a shot at it this time. Meanwhile, Fatale is invited to join a superteam called the New Champions (their mission: to find Corefire and stop the doctor's villainous plot), which allows her to see the unglamorous details of the heroes' behind the scenes lives.

In some ways, it's what I wanted Hero Go Home to be, except that Hero Go Home will be explicitly series fiction, while Invincible is a literary one-off. Parts of it feel a little well-worn, but parts of it are brilliant. Grossman introduces the conceit early on that being an evil genius is actually a mental disorder, Malign Hypercognition Syndrome. So that whenever he does the obviously self-defeating things that villains do (parodied well but somewhat tediously in the Evil Overlords list), he's not being stupid or a victim of bad writing; he's merely exhibiting the symptoms of his disease, and often enough, he realizes it, which makes him even more human and sympathetic.

I wasn't as thrilled with the Fatale sections of the book. They're more drab, more downbeat, and occasionally drop into pure infodump. And though Grossman does a lot of things well in this book, sometimes the action scenes overwhelm him. A big scene in the middle where Doctor Impossible fights the New Champions single-handed suffers from some curious gaps and continuity errors; other scenes which could have been set-pieces are avoided completely and we see only their aftermath.

Overall, though, it's a funny and fast read. I recommend it for superhero fans.

Movie Trailers

So in the several months since I stopped posting regularly, I've seen some trailers for films coming out in 2008. This year looks like an awesome year for superhero movies.

One of the most anticipated is "Iron Man."

The trailer is genius. The second half is bursting with kick-ass action to make the fanboys go,"whoa!" But it's the first half that makes it rise above your average trailer. Robert Downey Jr. is shown in several scenes that establish the character of Tony Stark--mercenary, perhaps amoral, yet charming. The storytelling economy here is perfect. Action, effects, and an appealing, interesting character: this trailer has all the elements that make you say, "I have GOT to see that!"

Another one that I'm really anxious to see is "Hancock," starring Will Smith.

Good stuff. I mean, it's Will Smith doing his standard Will Smith schtick, but the action is over-the-top cool, and it's an interesting take on the hero genre. According to Wikipedia, the screenplay was originally titled, "Tonight, He Comes," about a hero with sexual dysfunction. I love the final lines.

Hancock: I don't even remember that.

Jason Bateman (character is not named in IMDB): Greenpeace does.

I'm also anxious to see "Hellboy II: The Golden Army."

This looks like everything you want in a sequel: the same, but bigger. Ron Perlman in perfect form as Hellboy, same supporting cast in place, huge monsters, kickass action and special effects.

I'm not as excited by "The Dark Knight."

I liked "Batman Begins," I think Christopher Nolan is an excellent director, and I think the Bat-Cycle looks badass. But from what little I've seen of Heath Ledger as the Joker, it looks like he channeled all the aspects of Jack Nicholson's performance that I liked the least. Perhaps I'll be pleasantly surprised, but seeing the trailer made me less excited about the movie, not more--not a good thing in a trailer.

Still waiting to see a trailer for "The Incredible Hulk," starring Edward Norton. The new film is supposed to be more action-oriented than the Ang Lee version. I actually liked the Ang Lee version, or aspects of it at least. I thought the size-changing bit was a pretty cool reimagining of the concept, and I didn't mind the fact that Lee gave Banner a traumatic backstory that explained why radiation turned Banner into the Hulk instead of giving him cancer. That being said, I was disappointed with the climax of the film. I thought it was a feeble payoff after a pretty good buildup.

So all in all, it's looking like a pretty good superhero year. One film I didn't mention is "Jumper," which features teleporters. I'm saving that for its own post, since I've been a fan of the book since it was published.

Still Alive

Yes, I'm still here. I've just been on a brief personal hiatus from a lot of things. But I have a bit of news.

My third Digger tale, "Double-Secret Weapon," is now live at Baen's Universe. This issue doesn't have quite the all-star lineup of issue one (but quite frankly, what could?), but still, Nancy Kress, Mike Resnick, Eric Flint, Norman Spinrad... not bad to share a TOC with.

Funny, though, how the last few jobs I've worked all used the acronym TOC with different meanings. In the Army, it was Tactical Operations Center. At TV Guide, it was the Transmission Operations Center. At Clear Channel, we're the Television Operations Center. When I'm writing, though, it's a Table of Contents. I wonder if there's a big publishing house somewhere that has a department just for producing tables of contents for all their different book divisions. They could call it a Table Of Contents Operations Center (TOCOC).

The illustrations for this story (by Luis Peres, example at left) are better than the ones for "Astromonkeys." A nice comedic flavor, although the guy apparently kind of skimmed the story. He gave Digger a helmet with dog ears apparently because someone mentions Dig-Dog at one point. And he gave Digger white hair, although the story quite specifically assigns that feature to Professor Pierce. But those are tiny nitpicks against what is a Really Cool Thing: having another story officially published.

I actually started to do an illustration for this myself a couple of months ago, but couldn't get it looking the way I wanted, so I gave up. I may give it another try.

The story went live late Friday, and then today, Monday, I got another cool piece of news. "Astromonkeys" has been accepted for Escape Pod, so double-sale for that one. Yay!

Now I just need to start writing again. Haven't written a lick for a couple of months. Time to get back on it.

Superhero Weekend

It was a superhero weekend here. City of Heroes/Villains has had a double xp event going all weekend, so I got my main guy, Metatronic, to level 50 (as high as the game goes) finally. After 677 hours of gameplay, and there wasn't even a fireworks display or anything. That was Friday night and Saturday morning. Saturday afternoon, I took Metatronic's evil twin, Dark Meta, up to level 25.

Then on Saturday evening, I wrote the first draft of a new Digger short story. There's some good stuff in there, but the ending is weak, I think, so I may have to redo it.

This morning, Sunday, I took my evil mastermind, Metalord, to level 18. Then The Girl took me out for Father's Day. We went to see Fantastic Four: Rise of the Silver Surfer.

It wasn't bad, as comic book movies go. As I've said before, I wasn't fond of the first one; I thought it was too goofy, and I hated what they did with Doctor Doom.

Well, Doom comes back in this one, and I don't like him any better this time around. But the adventure works a little better this time around, although the Fantasticar flies way too fast for something without a windshield. Then again, not only do the comedy bits work better in this movie, but the climactic shout-outs to the original comic and the classic villain, the Super Skrull, are pretty cool.

Then it was back home to squeeze a little bit more out of double xp weekend, leveling up both Doctor Jolt (a City of Heroes character based on one of my Hero Go Home guys) and MC Square (a hero who's set to appear in the sequel to Hero Go Home).

Oh yeah, and in between I watched cartoons. So yeah, it was pretty non-stop superhero action for me.